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Carve a Niche & Build Your Own Demand through “Query-Free Freelancing” (Guest Post!)

PB NOTE: I’m delighted to have Jennifer Mattern as our first guest blogger in this go-round (AND to have this piece be part of her virtual blog tour). Jennifer, the founder of the critically acclaimed AllFreelanceWriting blog, is a consummate freelance professional and someone with a wealth of knowledge and experience in all aspects of freelancing and freelance business-building.

In this piece, she shares a great story that encapsulates any commercial writer’s ultimate scenario: clients finding them, not the other way around. Hence the term “query-free freelancing.” And don’t get hung up on the term “query” – which, yes, is usually associated with magazine writing. Here, she simply means it as any contact made directly to a prospect. Thanks again, Jenn, and take it away!

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Build Your Own Demand!

Query-free freelancing means, first and foremost, building demand for your services – not waiting around hoping clients are going to find you. I’d like to share a story about how I not only did that, but how I created demand in a relatively new market at the time by identifying a need and choosing to fill it.

(NOTE: If querying works well for you, then stick to it. But understand it’s not the only way to land lucrative commercial writing gigs. To put yourself in a position where prospects find you, not the reverse, you build demand and increase your visibility. Most freelance professionals I know get at least some gigs this way. I chose to build a career on it. And despite the common “you have to pitch, pitch, pitch” thoughts, I’ve never hurt for work since going query-free.)

I ran a music PR firm. I worked with clients throughout my region. It’s an industry where everyone knows everyone else in the local scene, so word spreads. We had a few well-known publicists in the area so I needed a way to stand out. I knew I needed to increase my visibility if I was going to create greater natural demand for my work, so I launched an indie music webzine. After a while, I turned to a webmaster forum to ask for advice on improving the site.

Identifying the Needs of a New Market
As I spent time there learning and improving my own site, discussions cropped up among the online business owners. They were interested in press release writing but didn’t understand it. The few press release writing jobs advertised in the community were picked up by generic Web content writers (the “Sure, I’ll write you over-hyped, keyword-stuffed garbage content for $10 and throw it into a press release template” kind of writers).

There was a need for better information. I took part in press release discussions there, trying to educate the market about how to use them more effectively. I emphasized focusing on real coverage and exposure over blatant links and how that could actually do more to help their SEO efforts too. Interest quickly spread within that group about press releases (not just in that community, but all over the Web due to the growth of distribution sites like PRWeb).

Because I stepped into that market, building my visibility and authority status early on, the work flowed in naturally, even though I charged much higher rates than most that started targeting the market. That played a role in my move from music PR to online PR for a wider variety of clients, and even now that I’m solely a full-time writer it doesn’t stop. That’s what happens when you build a platform, build visibility, and build a strong professional network — the building blocks of a query-free career.

Plenty of Opportunities Still Exist
It’s something you can do too. Let’s say you’re a sales letter writer. It doesn’t matter how many other sales letter writers are out there. All that matters is how many competitors are focusing on the same target market in the same places. Not all people looking to hire a sales letter writer fall into the same market group. You may find client groups that have a demand for the service but who aren’t being exposed to qualified writers. They’re itching to find someone like you, but no one’s making it easy enough on them. Step in and fill the void.

What have you done to build your professional platform as a commercial freelancer?

Have you ever landed gigs without directly pitching prospects — where they came to you? How did you get those gigs?

Contributing to a larger community is how to show prospects you know your stuff and are competent at what you do. How might you be able to increase that interaction (and sharing) to demonstrate your own authority status within your specialty area?

Or if you’ve done so successfully, what’s worked best for you so far?

About Jennifer Mattern
Jennifer Mattern is a freelance business writer and professional blogger who writes about freelance writing, social media, indie publishing, and small business. She also publishes e-books for freelance writers and is scheduled to publish her first nonfiction book, The Query-Free Freelancer, next year.

Want to be a guest blogger on The Well-Fed Writer Blog? I welcome your contribution to the Well-Fed writing community! Check out the guidelines here.

“What’s the Current State of Freelancing?” is a Bogus Question…

So, about a week ago, I get an email from a good friend and fellow commercial freelancer who’s presenting on an IABC panel on freelancing a few days later. She’s written to me to get my input on an issue of exceptional interest to the many would-be attendees. Her question is:

Can you sum up “the current state of freelancing” in two sentences?

Sounds like a logical question, and one phrased in precisely the manner we’ve all become accustomed to. After all, there’s the current State of the Union, of the healthcare debate, of male/female relationships, of the Atlanta dining scene, etc. So there must be a “current state of freelancing” as well, right? Well, actually, no.

Here’s my reply (with a few embellishments after the fact):

I’d actually take issue with your wording. There IS no “current state of freelancing.” Think about it. That implies some condition pervading ALL of the freelancing market, which, by definition, affects everyone. Sort of a silly notion, actually. There’s MY current state of freelancing, yours, and everyone else’s, and none of them have much to do with the others.

Our respective states are dependent on how good a writer each of us is, how broad a network we have, how aggressively we’ve been tapping into that network, and a ton of other things inherent to us alone and how we run our businesses.

Buying into the idea of a “current state of freelancing” is victimization waiting to happen. It implies a reality to whose dictates we’re all subject, and hence, can do little except ride the wave along with everyone else, and “wait for things to turn around.” Which is exactly what a lot of people are doing, having bought into the idea (after listening to what some “experts” said IS that current state) of a “force” beyond their control. I suppose some people just like to be told what to do next (or not do).

In truth, my current state of freelancing is pretty good, as are those of a lot of others I know. And part of the reason for that is because we realize our commercial freelancing businesses are OUR businesses, largely under OUR control.

Sure, many businesses have pulled, back, but many haven’t, and the work is out there. Magazine and newspaper writing? Absolutely, those arenas are way down, but that’s not our field of freelance copywriting. So, don’t buy into the gloom and doom. Remember: the average commercial freelancer needs such a tiny slice of the overall universe of freelance commercial writing work to do well.

How would you respond to the above question?

Why do you think people are so anxious to be told what the “reality” is?

How IS your “current state of freelancing”?