Wow. That sure sounds like an opportunity tailor-made for me. I’m a pretty good writer (I mean, my Mom’s told me so, and that’s good enough for me!). And I’d sure love to turn that skill into “$300 an hour”! That’s what they promised in this copywriting program I saw on the Internet. And it has to be true if it’s on the Internet, right? I mean, they could get into BIG trouble if they told lies. But there it is, in black and white!
And the best part? According to the program, I can get started as a “commercial writer” in just seven days! And here’s what those seven days look like:
Day One: I’m going to learn the basics of the freelance commercial writing business. I mean, it’s just writing – how hard could it be?
Day Two: I’ll create my copywriting portfolio. They say it’s easy, and I believe them. Heck, I’ll probably be done by lunch!
Day Three: I’ll create and send out a press release to my local paper, letting them know about my new copywriting business. Wonder how long after I send it out till the phone starts ringing. Could I end up with too much business? It’s possible!
Day Four: I’ll explore making money in PR writing. Working around all the “movers and shakers,” yeah! Sounds like fun – and profitable, too!
Day Five: I get to figure out if I’m going to a generalist or specialist. Decisions, decisions. This is just too easy.
Day Six: I’m going to learn the “ultra-easy” way to market my new business so I can, according to the program, “stay booked up for months.” Like the sound of that. Heck, maybe I will go ahead and buy that Camaro I’ve had my eyes. I mean, obviously, I’m going to have the money to make the payments.
Day Seven: I’m going to learn all about writing for TV and radio. Bet you can make big bucks there, and get to be around all the cool actors. Life is looking up!
I wish the above was just a dramatization of some poor slob getting reeled in hook, line, and sinker by some fictionalized copywriting course, but alas, it’s based on a real one. THIS one. What a joke. I know, why am I surprised? I mean, I know stuff like this exists. It’s just that seeing flat-out fabrication up close still sets you back on your heels a bit.
Someone sent it to me, asking if I knew anything about it. A two-minute visit revealed all. I don’t know who you are, but your offer is a scam, and you know it. And people like you have buyers looking for legit information on copywriting lump the rest of us trying to do the right thing into the same scam-artist boat.
I mean, their “7-Days-to-Riches” timetable would be hilarious if it weren’t for the fact that countless unsuspecting folk are dropping $147 for nothing but a mirage. And $300 an hour? Have you no shame? Yeah, right. Silly me.
I can hear them now: “Well, if you read it carefully, I’m not actually promising people they’ll make $300 an hour inside of a week.” Ah, the old “have-‘em-connect-the-imaginary-dots-in-their-mind” strategy. So, you’re weasels on top of being scam artists. Quite an accomplishment. What an unbelievably fragrant and steaming pile of road apples this is.
Our mothers were right: “If it sounds too good to be true, it probably is.” As the experienced commercial writers on this blog know, our field can be a wonderful way to make a great living as a writer. But they also know it’s no cakewalk. As writing fields, go, it’s one of the most accessible, but it still take a lot of hard work to get established and work up to healthy hourly rates. And $300 an hour as a copywriter? In a week? I can hear the hysterical laughter echoing across the land. From sea to shining sea.
Did you ever fall prey to any offers like these before you got started?
What would you say to someone considering this fairy tale of an offer?
What truths would you want them to know about our field instead?
I was sitting with a client the other day in a marathon on-site session. We were putting together a high-level presentation for a major executive pitch coming up in a few days. They’d brought me in because the presentation, in its current form – for the most part cut-‘n-pasted from an earlier version – just felt choppy and disjointed.
His goal was to build the case for his company to this audience, and knew from experience that I’m good at doing that kind of thing. It was a lot of data, information about the company and how they do what they do, but as he reminded, “It’s still a story. You have to tell a good story…”
How true. You have to tell a good story. As kids, it was our mantra to our parents, “Tell me a story!” But no matter how old we get, we never tire of hearing stories. And that’s never truer than with the audiences for the commercial writing projects we create for our clients. It’s something magazine and newspaper journalists have been doing forever (so if you hail from those arenas, put those chops to work here…).
Proposals and presentations – like the one described above – if they’re going to hit home, MUST tell a good story, must lay out a rational step-by-step case for what’s being “sold.” That doesn’t mean boring and linear – hardly. The good ones are exceptionally creative and will jump around, while always knowing exactly where they’re going and the most effective path to get there.
Marketing brochures – from simple tri-folds to lofty corporate image pieces – can tell the story of a company’s history and evolution, complete with testimonials from satisfied buyers. They can give a prospective customer a compelling narrative, which, when done well, can more expeditiously move that prospect along the sales cycle.
Every description of a product or service within a brochure, sales sheet or newsletter can be enhanced by creating a one-paragraph mini-story that showcases the experience of someone (even if fictitious) actually using the product. And in the process, demonstrating its features and benefits. An example…
In a newsletter for UPS I worked on years back, instead of just describing the features of one of their services, I told the story below. And I put it together simply by asking my client who might use the service and for what reason:
It’s late morning. One of your best customers calls – frantic. A key machine on his 24-hour production line just threw a part. With no spares on-site, he’s dead in the water. Overnight me a replacement, he says. I can do even better than that, you reply. Thanks to UPS “next-flight-out” Sonic Air service, the part’s on its way within an hour, and by mid-afternoon, it’s been installed. Production is restored at 4:00 P.M., not 10:00 A.M. tomorrow, saving hundreds of thousands of dollars. Think he’ll remember you the next time the competition comes to call?
Using characters and a dramatic story line (where possible, and as dramatic as such a subject can be, of course…) makes far more interesting and credible writing than straight marketing copy. Stories draw in readers, and make it more likely a piece will actually get read (i.e., The Goal, in case you forgot…).
Course, the above (and other story-telling strategies) could be used in web content, white papers (a story as well – one that leads a reader along a very specifically-plotted path), trade articles, direct mail (especially the long-letter type…) – even ads. And what about a case study? It’s the quintessential story.
Before starting ANY project, always ask yourself, “How could I make this more interesting to read?” Be a storyteller and you’ll be a better copywriter. AND people will notice, and that can only be a good thing.
How have you used storytelling in your commercial writing practice?
What specific story-telling techniques have you used effectively in your writing?
Can you give some examples of how being a storyteller improved the effectiveness of a piece?
What kind of feedback have you gotten from clients when you’ve suggested or implemented storytelling in your marketing copy?